Kirsten Dunst and Brad Pitt in 1994's Interview with a Vampire
He's often described as the sexiest man alive, but it seems Brad Pitt's charm didn't work on Kirsten Dunst.
The 30-year-old blonde has branded her onscreen kiss with Angelina Jolie's husband 'disgusting'.
The pair starred together in 1994's Interview with the Vampire when the actress was just 11, but she doesn't have particularly fond memories of their encounter.
'Disgusting': Kirsten Dunst and Brad Pitt in 1994's Interview with a Vampire
'Just a peck': The actress was only 11 when she filmed the scene
Heartthrob: Brad was considered the sexiest man alive during the Nineties
'It was just a peck,' she tells Bullett Magazine.
'I remember Brad would watch lots of Real World episodes,' she says of his affinity for the MTV reality series.
'He had this long hair. He was just a hippie-ish cool dude. Everyone at the time was like, "You're so lucky you kissed Brad Pitt," but I thought it was disgusting.
'I didn't kiss anyone else until I was 16, I think. I was a late bloomer.'
Kirsten transformed her look for the accompanying digitalized, avant-garde magazine shoot, trading her blonde locks into silver strands.
Going grey: Kirsten Dunst tranforms her blonde locks in a new photo shoot for Bullett Magazine
The first image shows the On The Road star with a depressed look in her eyes as she gazes at the camera.
Her baby blues are accentuated with smokey bronzed eye shadow as the rest of her face remains almost bare.
The actress' coloured hair is swept to the side, revealing her other ear decorated with a dragon-shaped cuff as her arms are concealed with grey paint until a few inches below her wrists.
Thought-provoking: The actress said: 'Let's make this controversial. Let's sell magazines!'
She's
pictured in a designer black leather jacket with fringed sleeves and
orange accents, in addition to a chain necklace that flaps over a mirror
which covers the remainder of her body.
With her right arm in front, she makes a symbol that many wouldn't recognize as much more than an accident, but her artistic ways would prove otherwise, as a following image captures a gang sign.
In that picture, Kirsten's body is the same from the neck up as she spells the word 'blood' with her polished twisted fingers.
Optical illusion: Kirsten's hair and body are concealed with black and white stripes in one shot
Another
shot captures her flawless face in black and white tones as her hair
and body are concealed by a striped optical illusion.
Going for an even deeper shot, Kirsten remains in the shadow colours as she wears textured black pants paired with a crisp white blouse, black sweater and a chunky chain necklace.
She gazes towards the ceiling holding onto a rod behind her neck.
Muscle woman: The Virgin Suicides star carries a rod behind her neck in another snap
The platform she stands on features blue accents and her sky-high heels are brightened up for the shot.
Another image brings even more colour into the scenery, creating a landscape reminiscent of the ocean.
In the photograph, the pale skinned star wears a flowing grey and black gown, contrasting with the background.
Aquatic: Kirsten poses with oceanic scenery in another quirky shot
Appearing to be blowing in the wind, she bends backwards as her right arm follows her.
The Virgin Suicides star ditches her grey hair and lets her blonde locks down as she closes her eyes.
With her hands up in the air, she poses in an elegant, printed gown which flows around her from the waist down.
Glammed up: The blonde beauty wears an elegant printed gown as she poses in front of another mirror
And for her final shot, she remains with her eyes closed, her chin towards the sky as she sit on a white cube.
In the modern, mirror-filled room, she wears the same chunky heels as before, showing off her smooth, sculpted legs in a futuristic mini dress.
In front of Kirsten is a bag of sand that has been broken, spilling out as blue pebbles pour on the floor.
Kirsten is currently working on forthcoming films The Two Faces of January and Cities.
Sky high: The actress has her chin to the ceiling as she sits in a modernized room
Red carpet ready: The 30-year-old showed off her sleek style on the carpet of Upside Down in Los Angeles, CA earlier this month
The 30-year-old blonde has branded her onscreen kiss with Angelina Jolie's husband 'disgusting'.
The pair starred together in 1994's Interview with the Vampire when the actress was just 11, but she doesn't have particularly fond memories of their encounter.
'I remember Brad would watch lots of Real World episodes,' she says of his affinity for the MTV reality series.
'He had this long hair. He was just a hippie-ish cool dude. Everyone at the time was like, "You're so lucky you kissed Brad Pitt," but I thought it was disgusting.
'I didn't kiss anyone else until I was 16, I think. I was a late bloomer.'
Kirsten transformed her look for the accompanying digitalized, avant-garde magazine shoot, trading her blonde locks into silver strands.
Her baby blues are accentuated with smokey bronzed eye shadow as the rest of her face remains almost bare.
The actress' coloured hair is swept to the side, revealing her other ear decorated with a dragon-shaped cuff as her arms are concealed with grey paint until a few inches below her wrists.
With her right arm in front, she makes a symbol that many wouldn't recognize as much more than an accident, but her artistic ways would prove otherwise, as a following image captures a gang sign.
In that picture, Kirsten's body is the same from the neck up as she spells the word 'blood' with her polished twisted fingers.
Going for an even deeper shot, Kirsten remains in the shadow colours as she wears textured black pants paired with a crisp white blouse, black sweater and a chunky chain necklace.
She gazes towards the ceiling holding onto a rod behind her neck.
Another image brings even more colour into the scenery, creating a landscape reminiscent of the ocean.
In the photograph, the pale skinned star wears a flowing grey and black gown, contrasting with the background.
The Virgin Suicides star ditches her grey hair and lets her blonde locks down as she closes her eyes.
With her hands up in the air, she poses in an elegant, printed gown which flows around her from the waist down.
In the modern, mirror-filled room, she wears the same chunky heels as before, showing off her smooth, sculpted legs in a futuristic mini dress.
In front of Kirsten is a bag of sand that has been broken, spilling out as blue pebbles pour on the floor.
Kirsten is currently working on forthcoming films The Two Faces of January and Cities.
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